The Purse That Carried My Secrets for a Decade
I bought the purse on an ordinary Saturday, the kind of day that begins with coffee and ends with too many things in your hands. It was soft black leather, roomy without looking bulky, with a brass clasp that clicked shut like a small promise. I thought I was buying something practical. I did not realise I was choosing a place to store an entire era of my life.
For ten years, that handbag travelled with me through break-ups, new jobs, family gatherings and long walks home. It carried receipts, lipstick, train cards and folded scraps of paper that I could not bear to throw away. Its compartments became private rooms, and every worn seam seemed to remember a version of me I had tried to outgrow.
The First Purchase
The purse came from a shop in Melbourne, tucked between a newsagent and a store selling dresses I could admire but rarely afford. I had just received a little extra money from freelance work, and I spent most of it on that bag. At the time, the purchase felt indulgent. In retrospect, it was one of the first things I bought purely because it looked like me.
I carried it on trams, through sudden rain and along Swanston Street when the city was loud with traffic and conversation. It suited the pace of Melbourne life: useful, a little worn-in, and prepared for an unexpected change of weather. When friends asked where I found it, I gave the simple answer. I never explained why holding it made me feel steadier.
What Fit Inside
At first, the contents were predictable. There was a purse full of coins, a compact mirror, hand cream and a crumpled Coles receipt. A pen leaked beside a packet of tissues. My keys collected lint. The ordinary clutter gave the bag its disguise, making it look like any other handbag resting beneath a café chair.
Underneath those harmless things were the objects I kept hidden. A cinema ticket from a first date. A hotel key card from a weekend I had decided not to discuss. A note written in my own handwriting: Do not call him tonight. I folded that sentence until it became a narrow rectangle, then tucked it behind an old loyalty card.
The Weight Of Silence
The purse held secrets because I was not ready to give them language. Some were too tender to share, while others were embarrassing in the way small choices can be embarrassing years later. I kept proof of feelings after the feelings had passed, as if evidence might explain why I had stayed, left, forgiven or returned.
There were also the secrets that belonged to other people. A friend’s confession written on the back of a restaurant bill. A name and phone number I promised not to lose. A birthday card I bought for someone who no longer wanted to speak to me. Carrying those things made me feel loyal, though loyalty sometimes looked very much like refusing to let go.
Public Places, Private Evidence
The bag appeared in photographs from everywhere: beside a picnic rug at Bondi, under a table in a noisy Newtown pub, and on the floor of a Queensland hotel where the air-conditioning fought the summer humidity. It went to offices, airports and weekend markets. At a stall in Fitzroy, a seller called it “a beauty,” and I laughed because he could not see how much history was pressed into its lining.
During one particularly hot February, I took it with me on the train and watched the leather darken slightly where my hand held the strap. Around me, people spoke about footy, rent and their plans for the arvo. I was thinking about a message I had read that morning and pretending to search for lip balm. The purse gave me somewhere to place my hands when the truth felt too visible.
When The Lining Gave Way
The first serious tear appeared after a long day at work. My keys slipped into the gap and disappeared between the leather and lining. I had to turn the bag upside down on my bedroom floor, shaking out receipts and old tissues while pieces of my past spread around my feet.
That small failure revealed how much I had been carrying. The bag was heavy with objects that belonged to former selves: expired cards, a dried-out eyeliner, a photograph of someone I no longer recognised, and a letter I had read so many times that the folds had softened. Repairing the lining would have been easy. Deciding what deserved to remain was harder.
The Things I Could Finally Release
I made three piles. One was for rubbish, one for practical items, and one for things I needed to read once more before letting go. The final pile stayed on the floor for several days. I kept finding reasons to postpone it, including laundry, work and a trip to the shops for things I did not need.
Eventually, I threw away the cinema ticket and the hotel key card. I returned the phone number to my friend, who had forgotten giving it to me. I kept the note about not calling him, though I no longer needed its instruction. It had become a record of a boundary I had managed to draw, however late and however imperfectly.
A Different Kind Of Keepsake
The repaired purse still sits in my wardrobe, though I use it less often now. Its clasp is scratched, the strap has softened, and one corner carries a pale mark from a coffee spill. I could replace it with something newer, but new things do not know where you have been. This one does.
Writing about memory has taught me that objects can become quiet witnesses. The stories behind them do not need to remain secret forever; they can be reshaped into something generous, something another person might recognise. That is part of the spirit behind Brendolyn’s story space, where relationships and private moments are allowed to become creative work.
The purse that carried my secrets for a decade now carries less, but it has not become empty. I place a notebook inside it, along with my keys and the usual practical clutter. When I open it, I remember that keeping a story and being trapped by it are different things. Sometimes the safest place for a secret is the page.
Read more personal reflections and literary pieces at Never Date a Writer, or send in a story of your own if an old object is still holding part of your history. Your memories may be ready for a new shape.